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Currently working on an awesome collection of static Dom7 blues lines for next week (as well as February’s Tune of the Month). Tim’s vocabulary is literally endless.
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Jeff replied to the topic Slowing Recordings, Changing Keys, Etc. in the forum Questions & Advice
I highly recommend Seventh String Software’s “Transcribe!” it’s what I use for all my work and the slowed quality is very good. Relatively easy to use as well!
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For some reason I can not see the “Livestream” section. When I try to enter it sends me to the main page. Just letting you know if someone have the same problem or it will be solved? Thank you 😁
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Hey Victor, here’s what the admin gave me a while back when this occurs.
“It could be your browser or something weird with its stored history.
To get around this, you can add /?nocache=1 to the url. Like this
timsguitarworkshop.com/dashboard/?nocache=1
This will bypass your browser’s and servers stored version of the page, which it might not h…Read More
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Colin Montoya-Lewis started the topic Am I approaching learning in a sensible way? in the forum Questions & Advice
This is a question about how to think about playing melodies over chord changes. I’ve been at this study about 6 months. I have begun to be able to visualize/find the intervals of chords I am playing. IOW, I’m still slow, but I can identify the 3rd, 7th, etc. by looking at the root of the chord and visualizing the patterns (so, for example, if…Read More
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Thanks, Richard. That helps to know. I guess what worried me is that there is so much information in books and on the internet that just doesn’t seem that relevant or important to study. I don’t mean that it’s wrong to know those things, just that they don’t seem to be the things to start first. That said, I worry that it’s me who is failing…Read More
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This is kind of how I visualize the fretboard. I’m looking for chord tones as well as arpeggios and then I build off of that afterwards to find the 9, 11, and 13 and their alterations as well. Eventually for me it turned into seeing scale patterns around chose chord shapes.
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Thanks Jeff. I’m glad I asked this question. The responses are helping me to feel like I’m on the right track.
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Colin, I think how you are approaching things is “sensible” I would also suggest that eventually knowing the note names as well will bring everything together. the two things aren’t “mutually exclusive”
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Actually, I think I have a question about this. Are you saying that I should eventually know the names of the notes on the fretboard, or that I should know that a B7 arpeggio has two sharp notes (B D# F# A)? The first seems easy, the second seems like memorizing the phonebook. I mean, I guess I know that the key of G has an F# after repetition,…Read More
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Hi Guys,
I’ve just wanted to share, that last week I was a on a jam session, and I took a leap and sang skylark with a jazz trio setup 🙂 It was very fun!
I like this song from a long time already, and was happy to learn it hear. However I’ve never heard it on jam session, so now I called it 😉
Next time I prepare with the guitar accompaniment…Read More1 Comment - Load More Posts
What a fantastic recommendation! I got it yesterday, and it’s great! I’ve been using (the free) Audacity app to loop regions, but this is much better. I haven’t worked yet with its note and chord guesses, but I figure they’ll be helpful.